The mood holds from the bubbly disco of "R U A Freak" to the Nile Rodgers-inspired guitar work on "Awake", a song that brings to mind the second wind you get during a party’s final 20 minutes. as the nucleus of luxury and vice ("Baby you can be a movie star/ Get yourself a medical card, yeah/ ‘Cause that’s how California rolls") on the sticky hook, and Wonder accents P’s trademark falsetto with background vocals.īoth Snoop and Pharrell are products of the '70s, so it makes sense that they'd embrace the ambiance of the music they grew up listening to, and that they'd be pretty good at it. Over an instrumental as smooth as a ride down Rodeo Drive on an 85-degree day, Snoop's croon is convincing enough to sell lines like “So if you wanna go to Melrose/ Let’s hit Adidas, girl, we got our own shell toes." Pharrell positions L.A. Bush was conceived as a tribute to the funk and R&B of the 1970s, and the familiar wail of Stevie Wonder’s harmonica on the stand-out opener, "California Roll", establishes the mood.
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